Utah Phillips once described the apathetic malaise of the contemporary North American person as a “cryonic torpor” – a phrase which readily comes to mind as one watches the opening […]
There must be something about the desert climate that induces a natural psychedelic effect on filmmakers, as a peculiar affinity for quirky otherworldliness seems to characterize many cinematic depictions of […]
At the time of its inception over 30 years ago, black metal distinguished itself from other forms of metal as a dark, primal affirmation of the individual and a contemptuous rejection of institutions and dogma. Today its detractors protest that, as a whole, black metal has become largely derivative. However, with so many technologies in flux, today all musicians are much less likely to survive professionally than they were in the past, so it comes as no surprise when they take fewer creative risks. How, then, can a black metal band hope to survive, let alone distinguish itself? Toronto’s self-proclaimed “black metal fundamentalists” Panzerfaust may have found an answer.